Choreography and alumni hold the spotlight of Dunham Hall Theater as the Department of Theater and Dance presents the 45th anniversary of “Dance in Concert.”
Director Kristin Best-Kinscherff said “Dance in Concert” includes a variety of distinctive pieces, all personalized by the choreographers. They are using six alumni choreographers. She chose choreographers near Edwardsville, such as distinguished alumni and co-workers.
“If they were in the area, I knew they would be able to work with the students on a regular basis,” Best-Kinscherff said. “If we brought in choreographers from L.A. or somewhere further away, they would only get to work with the students for a shorter amount of time. We wanted people that were able to come in on a weekly or biweekly basis so the students were able to learn the most from them.”
Best-Kinscherff said as one of the choreographers herself, her work is titled, ‘I Spied Myself,’ a piece she choreographed in 2006 in graduate school.
“It’s a tango-based dance, with movement in the jazz genre,” Best-Kinscherff said. “It’s a very technical dance in terms of the foot work. It’s eight women and it has turned out to be a great challenge for them.”
Best-Kinscherff said restaging a piece is never an easy task; it can become somewhat of a struggle.
“A work is created on a certain group for their capabilities and for whatever the concert is,” Best-Kinscherff said. “Whenever you take that to a different group, they don’t necessarily have the same style or movement qualities. It’s not just teaching them a dance, its really teaching them how to do the movement. None of the girls in the piece had any experience with ballroom dancing and even though it’s not a ballroom dance, it has that tango flare to it; so teaching them to how to hold their hands and carry their body and the different stances has been a really great challenge for them.”
Best-Kinscherff said creating a piece and arranging choreography is a very creative process.
“It starts with a concept that can be based on the music, the movement or an idea that you had for a statement that you want to make,” Best-Kinscherff said. “All choreographers work differently. I particularly start with having some sort of statement — something that’s going on in my life or the world that inspires me to create something. Then I’ll start the movement and keep trying music until I find something that really fits with it. So then it’s working the music in with the movement and making everything fit together.”
There will be nine pieces in total, six choreographed by alumni, two by current faculty and one by a student dancer.
For alumna Lynn Bobzin, of Chicago, the rehearsal process was intense since she is in a different location from the dancers.
“We had a very short window of time where I could actually be present in the studio to create the work with the students; we had five rehearsals to create the piece,” Bobzin said. “You have to get a lot done in a short amount of time; what happens is you condense the creative process down to a millisecond of what the time it takes to craft a work would be. It’s high stress, but also very exhilarating.”
Bobzin said her piece is titled “corps. pouvoir. mechanisme,” which translates to “body. power. mechanism.”
“What we were examining was this idea of being invaded or invading; this broke down to issues of power mechanics and dynamics,” Bobzin said. “The whole piece has a mechanical, militant feel to the movement and the music. Things are very sharp; it’s very physically driving. It’s got a steampunk design costume-wise; it had this dark feeling to it, kind of grungy and industrial.”
Bobzin said now teaching choreography professionally, she considers it a privilege to be asked to come back and choreograph for this concert.
“It’s an honor to be now viewed as a professional in this field,” Bobzin said. “That’s sort of eye-opening for me because I feel honored to be thought of in that regard, that the caliber of my work is something they want to exhibit and share with the community.”
Best-Kinscherff said the idea for an alumni-centered theme came from a presentation she saw in the spring. The presentation gave her the idea to contact Alcine Wiltz, the founder of the dance program at SIUE. Once she contacted him, he mentioned the idea of getting in touch with alumni.
Best-Kinscherff said the dance department is comprised of many young dancers, with few upperclassmen.
“It’s been really beneficial from them to learn from the alumni,” Best-Kinscherff said. “Even [to learn] what goes into making a dance piece, as opposed to a dance recital or three minute short works. These are much longer, at least 12 minutes long.”
One of these upperclassmen, however, is student choreographer Sterling Allen. Allen, a junior dance major from Peoria, said while enrolled in a composition class, she had to choreograph a full piece, five minutes or longer. Her piece, titled “Loosely Connected,” was chosen to be featured in this year’s “Dance in Concert.”
“My piece is centered around mental disorders; my dancers are portraying they are in a mental institute,” Allen said. “Everyone has different traits and characteristics that display these disorders. Charles Manson is a big role in my piece; I took a lot of quotes from his interviews when he was talking about how people who live in these jail cells and mental institutes are very loosely connected to the world. It’s really interesting; they really get into the characters and I’m excited to see it on the main stage.”
Allen said it means a great deal to her to be chosen for the role of student choreographer.
“Once I leave college, I would love to persue a career as a professional dancer, but I would also love to expand my work as a choreographer and continue to set pieces,” Allen said. “All of the staff and faculty have really helped me a lot. I’m excited to continue to grow as a choreographer, to premiere this work on the main stage and continue to grow from this experience.”
This is the third year Best-Kinscherff has been director of this concert, something that comes with her title as head of the dance department. Best-Kinscherff said being not only director, but a choreographer as well has been a challenging role.
“I’m not only looking at the show as a whole, but I also become selfishly involved with my own piece,” Best-Kinscherff said. “It can be a challenge to step back from all of it and look objectively.”
Best-Kinscherff said a reception will be held after Saturday night’s performance to further honor the alumni.
“The whole “Dance in Concert” celebrates the anniversary,” Best-Kinscherff said. “In relation to that, we are having the reception for alumni. Alcine will also be there, in hopes of reconnecting with some of his former students.”
Article/ Layout design by Caitlin Grove
Via alestlelive.com


